| Doc Savage | |
|---|---|
Doc Savage Magazine #1 (March 1933) |
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| Publication information | |
| Publisher | Street and Smith |
| First appearance | 1933 |
| Created by | Lester Dent Henry Ralston John Nanovic |
| In-story information | |
| Notable aliases | The Man of Bronze |
| Abilities | Peak physical abilities Scientist |
Doc Savage (full name Clark Savage, Jr.) is a fictional character originally published in American pulp magazines during the 1930s and 1940s. He was created by publisher Henry W. Ralston and editor John L. Nanovic at Street and Smith Publications, with additional material contributed by the series' main writer, Lester Dent.
The heroic-adventure character would go on to appear in several other media, including radio, film, and comic books, with his adventures reprinted for modern-day audiences in series of paperback books. Into the 21st century, Doc Savage has remained a nostalgic icon referenced in novels and in popular culture.
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The Doc Savage Magazine was printed by Street and Smith Publications from March 1933 to the summer of 1949. In all, 181 issues were published.
Doc Savage became known to more contemporary readers when Bantam Books began reprinting the individual magazine novels in 1964, this time with covers by artist James Bama that featured a bronze-haired, bronze-skinned Doc Savage with an exaggerated widows' peak, usually wearing a torn khaki shirt and under the by-line "Kenneth Robeson". The stories were not reprinted in chronological order as originally published, though they did begin with the first adventure, The Man of Bronze. By 1967, Bantam was publishing one a month until 1990, when all 181 original stories (plus an unpublished novel, The Red Spider) had run their course. Author Will Murray produced seven more Doc Savage novels for Bantam Books from Lester Dent's original outlines. Four more novels were planned, but not published. Bantam also published a novel by Philip José Farmer, Escape From Loki (1991), which told the story of how Doc in World War I met the men who would become his five comrades.
Clark Savage, Jr., first appeared in March 1933 in the first issue of Doc Savage Magazine. Because of the success of the Shadow, who had his own pulp magazine, the publishers Street & Smith quickly launched this pulp title. Unlike the Shadow, Clark Savage (or "Doc" to his friends), had no special powers, but was raised from birth by his father and other scientists to become one of the most perfect human beings in terms of strength, mental and physical agilities.
Doc Savage set up base on the 86th floor of a world famous New York skyscraper (implied, but never outright stated, as the Empire State Building; although Phillip Jose Farmer, in his Doc Savage: His Apocalyptic Life, gives good evidence that this is more likely so). Doc Savage fights against evil with the assistance of the "fabulous five".
Doc Savage has appeared in comics and a movie, on radio, and as a character in numerous other works, and continues to inspire authors and artists in the realm of fantastic adventure.
Doc Savage Magazine was created by Street and Smith Publications executive Henry Ralston and editor John Nanovic to capitalize on the success of Street and Smith's pulp character, the Shadow. Ralston and Nanovic wrote a short premise establishing the broad outlines of the character they envisioned, but Doc Savage was only fully realized by the author chosen to write the series, Lester Dent. Dent wrote most of the 181 original novels, hidden behind the "house name" of Kenneth Robeson.
One Lester Dent biographer hypothesizes that one inspiration for Doc Savage may have been the American military officer and author Richard Henry Savage, who wrote more than 40 books of adventure and mystery stories and lived a dashing and daring life.[1]
Doc Savage's real name was Clark Savage, Jr. He was a physician, surgeon, scientist, adventurer, inventor, explorer, researcher, and, as revealed in The Polar Treasure, a musician. A team of scientists assembled by his father deliberately trained his mind and body to near-superhuman abilities almost from birth, giving him great strength and endurance, a photographic memory, a mastery of the martial arts, and vast knowledge of the sciences. Doc is also a master of disguise and an excellent imitator of voices. "He rights wrongs and punishes evildoers." Dent described the hero as a mix of Sherlock Holmes' deductive abilities, Tarzan's outstanding physical abilities, Craig Kennedy's scientific education, and Abraham Lincoln's goodness. Dent described Doc Savage as manifesting "Christliness." Doc's character and world-view is displayed in his oath, which goes as follows:[2]
Let me strive every moment of my life to make myself better and better, to the best of my ability, that all may profit by it. Let me think of the right and lend all my assistance to those who need it, with no regard for anything but justice. Let me take what comes with a smile, without loss of courage. Let me be considerate of my country, of my fellow citizens and my associates in everything I say and do. Let me do right to all, and wrong no man.
His office is on the 86th floor of a New York City skyscraper, implicitly the Empire State Building, reached by Doc's private high-speed elevator. Doc owns a fleet of cars, trucks, aircraft, and boats which he stores at a secret hangar on the Hudson River, under the name The Hidalgo Trading Company, which is linked to his office by a pneumatic-tube system nicknamed the "flea run." He sometimes retreats to his Fortress of Solitude in the Arctic — which pre-dates Superman's similar hideout of the same name. All of this is paid for with gold from a Central American mine given to him by the local descendants of the Mayans in the first Doc Savage story. (Doc and his assistants learned the little-known Mayan language of this people, allowing them to communicate privately when others might be listening.)
Savage is accompanied on his adventures by up to five other regular characters (referred to in the 1975 movie and in marketing materials from the Bantam Books republication as "The Fabulous Five"), all highly accomplished individuals in their own right.
In later stories, Doc's companions became less important to the plot as the stories focused more on Doc himself. At least one critic questioned their necessity since Savage's talents were superior to theirs and he often had to rescue them.[5] The "missing" characters were explained as working elsewhere, too busy with their own accomplishments to help. Toward the end of the series, usually only Monk and Ham appeared with Doc.
Doc's cousin Patricia "Pat" Savage, who has Doc's bronze skin, golden eyes, and bronze hair, also was along for many of the adventures, despite Doc's best efforts to keep her away from danger. Pat chafes under these restrictions, or indeed any effort to protect her simply because she is female. She is also able to fluster Doc, even as she completely charms Monk and Ham.
Doc's greatest foe, and the only enemy to appear in two of the original pulp stories, was the Russian-born John Sunlight, introduced in October 1938 in the Fortress of Solitude. Early villains in the "super-sagas" were fantastic schemers bent on ruling the world. Later the magazine was retitled Doc Savage, Science Detective, with a more realistic detective feel where Doc broke up crime rings. With a new editor, the last three magazines returned to the super-saga, then was canceled, as were most other pulp magazines.
A keynote of Doc's adventures is that no matter how fantastic the monster or menace, there was usually a rational scientific explanation at the end. A giant mountain-walking spider was revealed as a blimp, a scorching death came from super-charged electric batteries, a "sea angel" was a mechanical construct towed behind a submarine, Navy ships sunk by a mysterious compelling force were actually sabotaged, and so on. But Doc Savage also battled invisible killers, a murderous teleporter, and superscientific foes from the center of the earth.
In early stories some of the criminals captured by Doc received "a delicate brain operation" to cure their criminal tendencies. The criminals returned to society fully productive and unaware of their criminal past. It is referred to in Truman Capote's book, In Cold Blood, as an older Kansan recalls Doc's "fixing" criminals he had caught.
Some of the gadgets described in the series became reality, including flying wing, answering machines, television, automatic transmission, night vision goggles, electromagnetic rail guns, and hand-held automatic weapons called variously machine pistol, supermachine pistol or rapid-firer. Doc has created a wide range of ammunition types for the machine pistols including incendiary bullets that smash on contact coating the target with a high temp paste fed fire, high explosive bullets able to uproot trees, ordinary lead bullets & tracer, and the trademark sleep-inducing "mercy bullets" rather than regular lead bullets which are used in gunfights in keeping with Doc's firm code against the taking of human life, even the most evil. (Doc has no problem with enemies dying from causes other than his direct attack on them though)
Lester Dent (October 12, 1904 – March 11, 1959) was a prolific pulp fiction author of numerous stories, best known as the main author of the series of stories about the superhuman scientist and adventurer, Doc Savage. The stories were credited to the house name Kenneth Robeson.
Dent, the series' principal author, had a mixed regard for his own creations. Though usually protective of his own work, he could be derisive of his pulp output. In interviews, he stated that he harbored no illusions of being a high-quality author of literature; for him, the Doc Savage series was simply a job, a way to earn a living by "churning out reams and reams of sellable crap", never dreaming how his series would catch on. Comics historian Jim Steranko revealed that Dent used a formula to write his Doc Savage stories, so that his heroes were continually, and methodically, getting in and out of trouble.[6] Dent was paid $750 per story during the Great Depression, and was able to buy a yacht and vacation in the Caribbean.
All of the original stories were reprinted in paperback form by Bantam Books in the 1960s through 1990s. About 60 of the paperback covers were painted in extraordinary monochromatic tones and super-realistic detail by James Bama, whose updated vision of Doc Savage with the exaggerated widow's peak captured, at least symbolically, the essence of the Doc Savage novels. The first 96 paperbacks reprinted one of the original novels per book. Actor and model Steve Holland who had played Flash Gordon in a 1953 television series was the model for Doc on all the covers. The next 15 paperbacks were "doubles," reprinting two novels each (these were actually shorter novellas written during paper shortages of World War II). The last of the original novels were reprinted in a numbered series of 13 "omnibus" volumes of four to five stories each. It was one of the few pulp series to be completely reprinted in paperback form.
The Red Spider was a Doc Savage novel written by Dent in April 1948, about the Cold War with the Soviet Union. The story was killed in 1948 by new editor Daisy Bacon, though previous editor William de Grouchy had commissioned it. It was forgotten until 1975, when Doc Savage scholar Will Murray found hints of its existence in the Street & Smith archives. After a two-year search, the carbon manuscript was located among Dent's papers. It finally saw print in July 1979 as Number 95 in Bantam's Doc Savage series. Philip José Farmer wrote the book Doc Savage: His Apocalyptic Life, which summarized the series with the idea that Doc actually existed and the novels chronicled his exploits.
When the original pulp stories were exhausted, Bantam Books hired Phillip Jose Farmer to pen the tale of how Doc and his men met in World War I. Escape from Loki was published in 1991. It was followed by seven traditional Doc Savage stories written by novelist Will Murray, working from unpublished Lester Dent outlines, beginning with Python Isle.
In 2011, Altus Press revived the series with another Murray-Dent posthumous collaboration, The Desert Demons. Seven new novels are planned in the new series The Wild Adventures of Doc Savage.
Sanctum Books, in association with Nostalgia Ventures, began a new series of Doc reprints (starting November 2006), featuring two novels per book, in magazine-sized paperbacks. Several editions came with a choice of the original pulp cover or the covers from the Bantam paperbacks, and most include the original interior artwork, as well as new essays and reprints of other old material. In late 2008, Nostalgia Ventures ended their relationship, and Sanctum Books continues with the reprints on their own.
Two Doc Savage radio series were broadcast during the pulp era. The first, in 1934, was a 15-minute serial which ran for 26 episodes. The 1943 series was based not on the pulps, but on the comic book version of the character. No audio exists from either series, although some scripts survived. In 1985, National Public Radio aired The Adventures of Doc Savage, as 13 half-hour episodes, based on the pulps and adapted by Will Murray and Roger Rittner.
Street & Smith published comic book stories of Doc both in The Shadow comic and his own title. These started with Shadow Comics #1-3 (1940), then moved to Doc Savage Comics. Originally, these stories were based on the pulp version, but with Doc Savage Comics #5 (1941), he was turned into a genuine superhero when he crashed in Tibet and found a mystical gem in a hood. These stories had a Doc who bore little resemblance to the character in the pulps. This lasted through the end of Doc Savage Comics in 1943 after 20 issues, and briefly with his return to Shadow Comics in vol. 3, #10 (Jan. 1944). He would last until the final issue, vol. 9, #5 (1948), though did not appear in every one. He also appeared in Supersnipe Comics #9 (June 1943).
Post-Golden Age, there have been several Doc Savage comic books:
In 1967, a TV Guide article reported talks were underway to have Chuck Connors play Doc Savage in a possible television series. Nothing came of that project.
In 1975, producer and director George Pal produced the movie Doc Savage: The Man of Bronze, starring Ron Ely as Doc Savage. The movie was a critical failure and did poorly at the box-office.[13] Several articles and a later interview with Pal suggest the movie's failure had much to do with its loss of funding during filming, when the studio changed heads and Pal was forced to cut costs. Nevertheless, Pal, as producer, is generally blamed for using the "high camp" approach in the style of the Batman television series. An original soundtrack for the film was also commissioned, but when Pal lost his funding, he resorted to a patriotic march from John Philip Sousa, which was in the public domain. Science fiction writer Philip Jose Farmer tried to get another movie made (there is a notation at the end of the original film that a sequel adapted from the novel Death in Silver featuring the infamous Silver Death's Heads was in the works, but nothing came of it, despite the drafting of a script for it.)
According to the screenplay by Joe Morhaim that was posted on the Internet, as well as other archival and news accounts, Doc Savage: The Arch Enemy of Evil was based very loosely on the October 1934 pulp novel Death in Silver. Doc Savage: The Arch Enemy of Evil would feature a deformed, German-speaking supervillain, whose pet man-eating octopus was a nod to a similar plot element in the September 1937 pulp novel The Feathered Octopus.[14]
In fact, this screenplay was originally intended to be filmed as the first Doc Savage movie. However, producer George Pal commissioned a second script based on the first Doc Savage pulp novel, The Man of Bronze, because he felt the movie-going audience needed more background information about Doc and his origin.[15][16]
Contemporary news accounts indicated that Doc Savage: The Arch Enemy of Evil had been filmed in the Lake Tahoe area simultaneously with the principal photography for the first Doc Savage film.[15][17] However, due to the poor reception of the first film, Doc Savage: The Arch Enemy of Evil was never completed or released.[17]
Another screenplay was written by Philip José Farmer based on the January 1936 pulp novel Murder Mirage[18] It included a potential Wold Newton Universe cross-over involving a meeting between Doc Savage and a retired Sherlock Holmes in 1936. In any case, this screenplay was never filmed.[19][20]
Finally, in anticipation of a proposed Doc Savage TV series, George Pal commissioned a two-part teleplay by Alvin Sapinsley based on the May 1935 pulp novel The Secret in the Sky. The teleplay was completed in January 1975, but due to the poor reception of the first Doc Savage film, a pilot was never filmed.[21]
In 1999, there was an announcement[22] that a possible remake featuring Arnold Schwarzenegger was in the works, but it, and several other Schwarzenegger projects (Sgt. Rock and an epic about the Crusades) were shelved when Schwarzenegger ran for Governor of the state of California.[23]
Scribe-turned-director Shane Black is set to direct the 2011 film adaptation for Original Film and Sony Pictures, according to a report in Variety. Black will also co-write the screenplay with Anthony Bagarozzi and Chuck Mondry. The film version will be set in the 1930s and will include the "Fabulous Five." Neal Moritz will produce.[24]
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